Visit These Amazing Southern Film Festivals in 2016

by

vintage video cameraIf you’ve never attended or submitted your work to a film festival, there’s no time like the present. The benefits are plentiful, and in one place, you get a chance to see brand new movies, possibly present your own projects, meet fellow industry professionals and build contacts with groups of people with incredible resources. The cities and organizations which host them, as well, see an influx of revenue from tourism and general popularity. Yet many of the more renowned fests are not in the southern part of the United States. That is not say they are not excellent–they absolutely are, and quite a few of those listed below are popular within the industry. However none were included among the four stateside festivals listed on Indiewire’s ranking of the best in the world. Still, it’s important to recognize and build on the local art in our southern communities, and to draw attention the wealth of great talent showcased here.

SPRING
Atlanta Film Festival
Location: Atlanta, GA
Dates: April 1-10, 2016

For almost 40 years, this festival has attracted some of the industry’s top talent and consistently brings an international spotlight to work in the south. The festival is one of only three in southeast of the United States whose submissions qualify for an Academy Award. Here, you will undoubtedly see a number of unique and wholly creative projects.

Submission Deadline: During the fall of the year prior

Full Frame Documentary Film Festival
Location: Durham, NC
Dates: April 7-10, 2016

For non-fiction lovers, this festival is a haven of sorts. Every year, Full Frame introduces to the world some of the most riveting documentaries from around the world. Its style and objective is to continue to introduce modern pieces from burgeoning filmmakers. In doing so, the festival attracts some of the more creative features in the industry.

Submission Deadline: During the fall of the year prior

Nashville Film Festival
Location: Nashville, TN
Dates: April 14-23, 2016

This Nashville is the oldest running festival in the south, and provides a home to different types of film across all genres. One of the more remarkable things about the Nashville Film Festival is its year round programming and affiliation with the area’s high schools and universities. The festival’s prizes also include a number of lists.

Submission Deadline: The beginning of the year; passed for 2016

SUMMER
Sidewalk Moving Picture Festival
Location: Birmingham, AL
Dates: August 26-28, 2016

Sidewalk is known for its affordability and relaxed, unpretentious style. The festival has also been lauded by audience members and filmmakers for the remarkable creativity of its selections and the unmatched southern hospitality of everyone in the town and a part of the organization.

Submission Deadline: March 6 (Late), April 1(Extended)

FALL
Louisiana Film Prize
Location: Shreveport, LA

Dates: September 30-October 2, 2016
This zany, wildly creative festival is all about the short. Artists in the area converge to create an incomparable experience for filmmakers and festival goers. Of the 20 films that are selected, one goes home with a cash prize of $50,000, making it one of the biggest prizes on the circuit. With just 4 years under its belt, it has already made a name for itself and hopes to continue doing so.

Submission Deadline: July 12

Louisiana Makes Headlines with Cap on Film Tax Credits

by

Geno ScalaIt is no secret that major productions can bolster economies, revitalize neighborhoods, and transform communities. Different parts of the country often compete to attract major film and television players, and the tax credit is one of the most critical tools in a government’s arsenal to attract businesses. Louisiana recently made news by imposing an annual $180 million cap. This number is significantly lower than what Louisiana (sometimes called “Hollywood South”) usually certifies. Previously, the state annually allowed for $250-270 million. Louisiana’s Film Entertainment Association is considering legal action as a result.

The film industry’s presence in places like North Carolina and Michigan clearly indicate that when tax credits are diminished, jobs tend to follow as filmmakers flock to other locations that eagerly offer greater opportunities for cost abatements. As State Representative Henry Burns of Shreveport told local media, ““There are other states out there stretching their arms, wanting to welcome our film industry in there. And just that uncertainty sometimes will cause people to leave.” The state of Georgia, in particular, has long been a competitor who will likely see an increase in film-related activity as a result.

Movie makers and lawmakers alike are hoping to revisit the film credits debate next January with a new governor. Until that time, the greatest concern is that film credits already in the system may not be redeemable under the cap. Should that the case, then the cap might well be unlawful. That issue will be also be subject to further legislation.

Until these issues are more fully explored, all the remains to be seen is if the state can retain its proud tradition as a regional powerhouse when it comes to film production.

Horror Film “Debris” Locked!

by

Geno Scala

Hey guys! So it’s official – we’ve locked picture on DEBRIS! Woo-hoo! There’s still a lot of work to do, but it’s a major milestone.

Yesterday, we had our ADR session with the actors. They all did an amazing job. We were very fortunate to have veteran actor Yuki Matsuzaki (you’ve seen him in PIRATES OF THE CARIBBEAN:ON STRANGER TIDES and THE LAST SAMURAI) provide the voice of the mad swordsmith… and the cursed sword itself! Hearing the sword whisper “I’m thirsty…” in Japanese literally gave me chills. Now it’s up to our talented sound design team to bring it all to life!

Speaking of sound design – huge congrats to our sound supervisor Lisa K. Fowle (she worked on LORD OF THE RINGS and CHRONICLES OF NARNIA) for winning Best Sound Design at this weekend’s Los Angeles Asian Pacific Film Festival. In 31 years, they’ve never given an award for Sound Design, but Lisa’s work was so amazing, they made an exception just for her. Can’t wait to hear what she comes up with for DEBRIS!

Later this week, we’ll be checking in with our legendary composer, Harry Manfredini, and our visual effects artist, Daniel DelPurgatorio.

It’s all starting to come together, folks… Stay tuned for more updates!

 

Nicole & the rest of Team DEBRIS
Geno Scala, Shark-Eating Man Productions; Executive Producer.