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Geno Scala is the founder of The Script Mentor

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Geno Scala

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  • Filmmaker ‘s New Issue and News from Our Editor-in-Chief
  • “Crying and Editing at the Same Time”: Karla Murthy on Her Sheffield World Premiere The Gas Station Attendant
  • Hollywood Underground: Joanne McNeil on EZTV’s Inventive Body of Work
  • Chapter Break: Eva Victor on Sorry, Baby
  • The Hypocrite: James N. Kienitz Wilkins on Cine-phobia and Film School
  • Uniting Home and the World: A Report From the 2025 Play-Doc International Film Festival
  • DC/DOX 2025: So Many Reality Checks
  • Watch: As IFC Center Turns 20, Joe Stankus’s Short Film, Marquee
  • “If I Get Specific About What I’m Doing, Why I’m Doing It, the Humor Will Be There”: Tim Bagley, Back To One, Episode 346
  • The Los Angeles Film School: Where Your Next Chapter Starts (Sponsored)
  • “[You] Build a Movie Like You Build a Fire”: Lost Highway DP Peter Deming on Restorations, Lighting and Working with David Lynch
  • “But Then My Obsession Went to Darker Things: Joe Coleman and Whitney Ward on Being Subjects in the Tribeca-Premiering Doc, How Dark My Love
  • Back To One, Episode 345, Elsbeth Star Carrie Preston on Learning How to Deliver Just the Right Amount of “the Tascioni”
  • “Shooting in the Fall, Premiering in June”: Travis Wood and Alex Mallis on Their Tribeca Debut The Travel Companion
  • “Dark, Difficult, Dank Spaces”: Rob Petit on His Tribeca World Premiere Underland
  • “A Brutal Honesty That Still Feels Poetic”: Walter Thompson-Hernández on His Tribeca World Premiere Kites
  • “Two Strangers Meeting Over Something So Unusual”: Paula González-Nasser on Her Tribeca World-Premiering Feature Debut The Scout
  • Space in 40mm: DP Christophe Nuyens on Andor Season Two
  • “So Many Sequins!”: Penny Lane on Her Tribeca-Debuting Docuseries Mrs. America
  • “It Became More a Story About How the Artwork, and All the Commotion Around It, Affected His Mental Health”: Ole Juncker on His Tribeca-Debuting Take the Money and Run

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