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Geno Scala is the founder of The Script Mentor

Ten Years of Oscar-Winning Screenplays

September 29, 2015 by Geno Scala

Ten Years of Best Screenplays – Geno Scala from Geno Scala

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  • “All of My Supporting Artists Were Testing Positive” | Nida Manzoor, Polite Society
  • “Control of Women’s Sexuality Is What Makes Patriarchy Possible” | Nicole Newnham, The Disappearance of Shere Hite
  • “I Like to Channel Musicality Into the Act of Editing”: Editor Adam Dicterow on Mutt
  • “The Best Tool for Capturing Human Behavior”: Editors Axel Danielson and Maximilien Van Aretryck on Fantastic Machine
  • “I Consider Myself a Sensitive Person”: Editor Carolina Siraqyan on The Eternal Memory
  • “Bodies With a Vulva Have Been Suppressed Over and Over Again”: Editor Eileen Meyer on The Disappearance of Shere Hite
  • “I Like To Edit Ideas, Not Sequences”: Editor Geraldine Mangenot on Other People’s Children
  • “We Would Light a Candle and Some Impepho at the Start of the Work Day”: Editor Hankyeol Lee on Milisuthando
  • “Find Beauty and Magic in Everyday Life”: DP Carolina Costa on Fancy Dance
  • “In Hybrid Documentaries, the Classic Rules of the Game Do Not Always Work”: DP Andrii Kotliar on Iron Butterflies
  • “It’s All Love and Rage”: DP Ashley Connor on Polite Society
  • “The Sea Has Always Been Sensual and Angry”: DP Ashok Meena on Against the Tide
  • “Our Material Spans 150 Years of Camera Technology”: DPs Axel Danielson and Maximilien Van Aretryck on Fantastic Machine
  • “I Would Cry Every Take We Shot”: DP Carolina Costa on Heroic
  • “I Usually Prefer To Embrace the Rushes as a Whole”: Editor Hoping Chen on Drift
  • “The Tonal Balance Was a Bit of a Tightrope”: Editor Jacob Craycroft on Cat Person
  • “It’s Great When an Idea Is Transformed So Much That the Author Is Rendered Unknown”: Editor Jon Philpot on Theater Camp
  • “With Each Interior Location We Had a Distinct Color Palette”: DP Cary Lalonde on Young. Wild. Free.
  • “In Preparation We Talked About Claude Sautet’s Films”: DP George Lechaptois on Other People’s Children
  • “I Wanted the Lenses To Have Some Character”: DP Greg Harriott on Going to Mars: The Nikki Giovanni Project

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