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Geno Scala is the founder of The Script Mentor

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  • “Redemption is a Journey, Not a Destination”: Abel Ferrara on His New Filmmaking Memoir, SCENE
  • Greenlight Coverage Celebrates Gotham Week Partnership and Recognizes Top Three Projects (Sponsored Post)
  • Shooting from the Heart: Craig Renaud and Juan Arredondo on Armed Only With a Camera: The Life and Death of Brent Renaud
  • “I Almost Died and I Promised My Loved Ones that I Will Never Act and Direct Again” Cooper Raiff Returns to Discuss Hal and Harper, Back To One, Episode 363
  • The Lights Blinked Through The Smoke: A Filmmaker’s Hazy Memories of the IFC Center, New York City, and a Dirty Bit of Concrete.
  • “Deception Was Inherent to Teacher Wang’s work, and We Had to Figure Out How to Handle This from an Ethical Perspective”: Elizabeth Lo on Mistress Dispeller
  • “Collapsing the Past Into the Present”: Connor Sen Warnick on “Characters Disappearing”
  • “We Have to Think Deeply about Community Policing”: Geeta Gandbhir on The Perfect Neighbor
  • Crispin Glover Returns To Do a Deep Dive Into “No! You’re Wrong or Spooky Action at a Distance,” Back To One, Episode 362
  • Existential Rave: Kangding Ray on Scoring “Sirāt”
  • “The Algorithm of It All”: Tucker Bennett and Chris Corrente on “In the Glow of Darkness”
  • Girls Rock: Nobuhiro Yamashita, Doona Bae, and James Iha on “Linda Linda Linda” at 20
  • NYFF 2025: Duse, Gavagai
  • “We Had to Test the Audience’s Own Morality”: Harris Dickinson on Urchin
  • New/Next Film Festival 2025: On Campus
  • “Seduction: the Cruel Woman Was Banned for 18 Years”: Monika Treut on her Queer Trailblazing Career
  • “Problem-Solving Is Different as an Actor Than It Is as a Filmmaker” Crispin Glover, Back To One Episode 361
  • Knowing the Rich, Staying in LA (?) and Other Takeaways from the 2025 Film Independent Forum
  • Endgames: Alejo Moguillansky on Pin de Fartie
  • Ken Jacobs (1933-2025)

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