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Geno Scala is the founder of The Script Mentor

Ten Years of Oscar-Winning Screenplays

September 29, 2015 by Geno Scala

Ten Years of Best Screenplays – Geno Scala from Geno Scala

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  • “Even in Asian American Progressive Circles, People Have Not Heard This Story”: Eugene Yi and Julie Ha on Their Sundance-Premiering Documentary, Free Chol Soo Lee
  • Sundance 2022 Critic’s Notebook: The Mission, Utama
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  • “Originally I Had a 200-Page Script”: Ricky D’Ambrose on The Cathedral
  • “I Wanted to Enchant the Birds and the Increasingly Poisonous Skies They Fall Out Of”: Shaunak Sen on His Sundance-Debuting Doc All That Breathes
  • “African Spirituality Has a History of Being Demonized in Cinema”: Nikyatu Jusu on Nanny
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  • “I Would Love for Horror to Be My Home, But I Want to Be Bi-Coastal”: Mariama Diallo on Master
  • “There Are Sequences That Still Make Me Shudder”: Editor David Pelegrín on Piggy
  • Sundance 2022 Critic’s Notebook: Fire of Love, Every Day in Kaimukī and Shorts
  • “Be as Sincere About the Complexity and the Ambiguity of Our Emotions as Possible” | Carlota Pereda, Piggy
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  • “The Problem Is Getting More and More Urgent”: Editor David Cohen on The American Dream and Other Fairy Tales
  • “I Was Just Desperate to Bottle up My Wonderful Dad Somehow”: DP Ondi Timoner on Last Flight Home
  • Sundance 2022 Critic’s Notebook: Dos Estaciones, Meet Me in the Bathroom
  • “I Feel So Blessed That Somehow My Father’s Brilliance Was Captured”: Editor Ondi Timoner on Last Flight Home
  • “Make Choices With the Edit to Sculpt and Reveal an Inherent Truth”: Harrison Atkins on Emily the Criminal

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